screenings, exhibition, publication
In Praise of Not Knowing, in edited by Stanley Schtinter, with Dominic Jaeckle & Jon Auman, Tenement Press, due October 2021.
The Ten Commandments, misremembered, in , edited by Stuart Bell, the87press, June 2021.
What Does a Dance Filmmaker See? in , edited by Kim Knowles & Marion Schmid, Edinburgh University Press, February 2021
(Ma Bibliothèque, 2020).
Akerman the scavenger, in (Moving Image Review & Art Journal) 8.1 & 2, September 2019, pp. 156-165, edited by Michael Mazière & Lucy Reynolds, Intellect
(London: A Nos Amours, 2019).
“Like a Musical Piece”: Akerman and Musicality, in , ed. by Marion Schmid and Emma Wilson, Moving Image, 9 (Cambridge: Legenda, 2019)
Akerman’s Tree, in , devised by Keira Greene, Tate London Learning 2017
Notes on filming dance, in The International Journal of Screen Dance, (2012), Parallel Press.
Vertigo Issue 31, Winter 2012: with Adam Roberts.
with Joanna Hogg Frieze Magazine, issue 176 Jan/Feb 2016
with Joanna Hogg: Guardian 8.10.2015
ICA Bulletin 2013
Tippi: Crying Fowl - monologue for Deborah Tiso, Lilian Baylis space, Sadler's Wells, London November 2007
Atavism, feature screenplay, funded by UK Film Council. 2004/2006. Production company: Tall Stories.
Inspiring Eric Rohmer (1920-2010): Pierre Carlet de Chamblain de Marivaux (1688–1763)
Reading and discussion on Resonance104.4FM. Conceived by Adam Roberts, with the participation of Joanna Hogg, Jonathan Romney, Justine Waddell, Gareth Evans & Anna Procter.
Premiere at MAXXI (Museo nazionale delle arti del XXI secolo), Rome - Artapes, part of Chantal Akerman: identity and memory, Tuesday 27 June 2017, curated by Giovanna Fazzuoli & Giulia Magno.
Premiere: IMT Gallery July 2012.
Published on by filmarmalade, with artist interview by Roger Clarke & Ian Monk.
Shown in Retour des ténèbres: l'imaginaire gothique depuis Frankenstein, Musée Rath, Genève 2.12.2016 – 19.3.2017, curated by Justine Moeckli (Muséess d'art et d'histoire) & Konstantin Sgouridis. .
Shown at BFI Southbank, Bienal de la Imagen en Movimiento Buenos Aires 2012, Whitechapel Gallery, Close Up.
Published on by filmarmalade, with artist interview by Miranda Pennell and Jonathan Romney.
Installation: From the Inside, Rugby Art Gallery & Museum, Aug - Oct 2010, curated by Portland Green.
Nominated for 1996 SACD Award.
Screened at Pompidou Centre, Cornerhouse Manchester, La Cinématèque français Paris, etc.
Distributed () on VHS & DVD by Warner Digital Classics.
France2 & BBC2 transmission: 28.12.1995;
Canal 33 Televisió de Catalunya, October 2007.
William Forsythe & Anna Teresa de Keersmaeker select Hands for their carte blanche, Cinedans 2008 & 2009.
Projection in The Orb road-show 1998.
Included in Lynda Gaudreau’s Encyclopœdia Document 1 (1999, Compagnie de Brune), which toured worldwide.
BBC transmission 24th July 1996;
Canal 33 Televisió de Catalunya, October 2007.
Published on DVD: Forward Motion, British Council/South East Dance and Arts Council of England.
pieces of The Quiet Dance
Premiere: Clermont-Ferrand Film Festival 2008.
Premiere: Todds Gallery, Hastings, Jan 2008.
Exhibited in What If… exhibition at Siobhan Davies Studios, curated Lucy Cash.
Both Sitting Duet
Shown in Hayward Gallery (13 October 2010 – 9 January 2011), Haus der Kunst, Munich (4 February – 15 May 2011), K20 Kunstsammlung Nordrhein-Westfalen, Dusseldorf (16 July – 25 September 2011) & National Museum of Contemporary Art, Seoul, Korea (6 June 2012 – 8 December 2012) in exhibition Move: Choreographing You - Art and Dance since the 1960s, curated by Stephanie Rosenthal.
Grand Prix du Jury, Angers International Film Festival 1992.
Screened in Edinburgh International Film Festival & Clermont-Ferrand Film Festival.
BBC transmission 27th February 1992.
BBC transmission in ‘Late Show’ 5th April 1994.
Screened at Espace Pierre Cardin Paris, Riverside Studios London, Grand Prix International Video Danse etc.
Channel 4 transmission 21st October 1994,
& SBS Australia, RAI Italy, Hong Kong.
Festivals: Melbourne International Film Festival.
1991 short film, Bronze prize Festival des Nations, Ebensee, Austria. Nominated for Young Film Maker of the Year Edinburgh International Film Festival. Also screened In Bombay Film Festival, BP Expo 91 Riverside London, Mundial Badalona etc.
Review of Chantal Akerman Retrospective Handbook: Cineaste Magazine
. Winter 2020.
Review of Chantal Akerman Retropsective Handbook: .
Review of Chantal Akerman Retrospective Handbook: .
Discussion of Hands in (Oxford University Press, 2008) by Dr. Erin Brannigan
Discussion of Hands in (Palgrave, 2001) by Sherill Dodds
Review of a DVD of Adam Roberts’ dance films in Dance Theatre Journal, 2006, Vol. 21, Numb 3, pages 45 – 46. Publisher: Laban Centre for Movement and Dance
Filmwaves no 12, 2000 - survey of Adam Roberts’ film work by Cleo Williams
Liberation. 30.12.95 review of blue/yellow
On blue/yellow by Sophie Constanti, Dance Theatre Journal: winter edition 1995/1996
Body, reviewed by Dan Glaister, Guardian 22.8.94
Mickey Finn, reviewed by Dan Glaister, Guardian 5.3.92
AIDS Sincethe 80s Project
Co-founder, co-producer & co-director with Paul Coleman of the AIDS Since the 80s Project (now ) which, between June 2015 and February 2017, filmed more than 100 interviews with long-term survivors of HIV. This unprecedented documentary project captured experiences of HIV in the UK from the 1980s to the present day.
The interviews have been deposited in the London Metropolitan Archive as an important historical resource, and have been transcribed and indexed with a grant from the Wellcome Trust.
A feature length documentary film is in preparation.
Adam Roberts & Paul Coleman also commissoned artist to create portraits of a dozen long-trem survivors of HIV, and curated an exhibition - - of the portaits in 2017 at London's City Hall to mark World AIDS Day. A limited edition artist's monograph can be bought from .